Appears on: Soup, Letters From a Porcupine
Recorded at: Kingsway Studios, New Orleans, Ultrasonic Studios, New Orleans
Produced by: Andy Wallace and Blind Melon
Brad:
bass
Christopher:
guitar
Glen:
drums
Rogers:
guitar
Shannon:
vocals,
kazoo
Live Performances: played on the brief Soup tour
Notes:
The
song is about the 1950's serial killer, Ed Gein, from Plainfield, Wisconsin
who murdered women and cut off their body parts and wore them. In
his house, police found a belt fashioned from carved-off nipples, a chair
upholstered in human skin, the crown of a skull used as a soup-bowl, lampshades
covered in flesh pulled taut, a table propped up by a human shinbones,
and a refrigerator full of human organs. The four posts on Gein's bed were
topped with skulls and a human head hung on the wall alongside nine death-masks
- the skinned faces of women - and decorative bracelets made out of human
skin. Gein confessed that he enjoyed dressing himself in this and other
human-skin garments and pretending he was his own mother.
Shannon: "You know everybody's a lawyer in one way or another I think everybody's just fascinated with the mentality of people who commit these crimes. Did society create this person or was this person born like that. What a guy to have host a party... man I don't know if I would want one of his tables or not. I mean it's disgusting but at the same time can you imagine..."
Shannon:
"Well, I knew the melody line I wanted to sing, but as far as subject
matter and lyrical content I hadn't arranged it. And I was sitting there
and reading about serial killers — I'm inspired in a surprising way by
them — and I was intrigued to read about
their
mentality. Obviously not condoning what they do, but they're fascinating.
Ed Gein — do you remember the movie Silence
of
the Lambs? Part of his story was used in the film. He was kind of like
an indian — he would make use of everything he
killed.
He would use parts of human bodies for everything. He would make furniture
out of their bones and use skin to make
lampshades.
At the time of his arrest he had three full bodies of skin in his barn!
He just peeled them off and he would dress up
in
them and dance around.
It
was horrible, but I believe there are two sides to everything. To find
the humour in things can keep you going. Obviously
things
like crimes against children I can’t find any humour in, which is the subject
of ‘Car Seat.’ Because children are so pure,
and
being a new father now I can really see it that way."
Glen: "Shannon's fascinated by that, it's his thing - he's got the encyclopedia of serial killers with him at all times."
The movie Psycho was loosely based on Ed Gein.
This
is a picture of Ed Gein.
Lyrics:
You
know the local made ones would be nice
to
see a little Dahmer like you
walking
around with a couple of hammers like that
At
least Ed Gein would
Ed
Gein was a very good fellow you know
I'll
make a shoehorn outta your skin
I'll
make a lampshade of durable skin
And
oh, don't you know that I'm always feelin' able
When
I'm sittin' home and I'm carving out your navel
When
will I realize that this skin I'm in
Hey,
it isn't mine
And
when will the kill be too much meat for me to hide on
Hey,
I could really use a couple of hands
To
complete one hell of a plant stand
Oh,
don't you know that I'm caught here in the middle
Making
rib cages into coffee tables
And
when I realize that this skin I'm in
Hey,
it isn't mine
And
when will the thrill be too much meat for me to find anymore
Oh,
because you know I can't hide
But
oh how hard I try
But
this is just the shape I'm in, oh yeah
And
though you know I can't hide
But
oh how hard I try
But
this is just the shape I'm in
Song
Interpretation:
By
Joshh
This
is what i thought the song was saying before i heard what the lyrics really
meant:
I'll
make a shoe horn out of your shin
I'll
make a lampshade of durable skin
and
oh dont ya know that im always feelin able
when
im sittin home and im carvin out your navel
( ok. this might sound weird, but check it out ......in this song, it sounds to me like its an inner person... a demon ... is singing out, it's inside the person singing out.... if you think of it that way, the 1st verse is pretty self- explanitory.)
when
will i realize that this skin im in,
hey
it isnt mine.
and
when will the thrill be to much
meat
for me to hide on
( in that chorus.. it's talking about how it doesn't own tha person it is in, the 1st 2 lines, ........in the last two lines, its talking about the thrill the demon would get from ruining a persons life. so what it would be saying is that when the person it was in died, he would have to leave that person.)
hey
i could really use a couple of hands
to
complete one hell of a lampstand
and
oh dont ya know that im caught here in tha middle
makin
rib cages into coffe tables
(the second verse is the same as the 1st verse..... just new words)
and
when will i realize that this skin im in,
hey
it isnt mine
and
when will the kill be too much
meat
for me to hide on
( the
chorus.... the same, except he uses the word kill, not thrill . it
would still mean tha same thing. the demon is trying to kill
the person, and every spiritual harm it does "kills " the person in a way.
again it is saying when will the kill be too much to hide on...... same
as the 1st
chorus..)